译文
Based on the clear, everyday portraits of two adults uploaded by the user, create a "Gatsby style / 1920s Art Deco style" ultra-high budget bridal portrait. Strictly retain the real identity features of the two individuals, including face shape, facial proportions, eyes, nose, lips, skin tone, age, hairline, hairstyle foundation, and overall temperament. The generated result must clearly look like the same real couple / newlyweds, not strangers, not overly Westernized, not influencer-like, and no obvious AI face. Only use the uploaded photos as a reference for the characters' identity, do not retain the background, clothing, posture, lighting, and scene from the original everyday photos. Please create a completely new bridal photo shoot. The overall style is not a common luxurious bridal photo, but a: 1920s Gatsby bridal editorial, Art Deco luxurious and retro bridal photo series, cinematic set, magazine-level finished product, with Gothic arch windows indoor scene, old Hollywood glamour, mystery, elegance, dramatic, delicate, ultra-high budget feeling. The overall should be like a high-concept project of a top bridal studio, not a common photography studio style. The scene style should be rebuilt around the reference image: tall European / Gothic arches and windows, strong window light, classical wooden furniture, vintage candlesticks, books, light gauze, local smoke, crystal chandeliers, a few antique decorations, dark wooden floors. The space should have depth and stage feeling, but not become an overly complex palace or modern mansion. The scene should be delicate, restrained, and unified. The bride's hairstyle is the key: please make it a clear 1920s Gatsby bride style. The wedding dress is a custom shimmering gold, silver gold, or pearl champagne color beaded slimming gown, with fine beadwork, beaded texture, long fishtail or straight line silhouette, paired with dramatic veil, light gauze train, exaggerated organdy sleeves or layered sleeves. Jewelry includes pearl necklaces, dangling earrings, forehead ornaments / vintage headpieces / feather headpieces / jeweled headbands, etc., overall delicate and expensive. If the user originally has long hair, do not directly retain the modern long hair loose effect. Please make it a more 1920s retro style: - faux bob - pinned bob / tucked long hair - finger waves - sculpted side-parted waves - low bun or curly bun, visually compressed into a 1920s short hair silhouette - use vintage forehead ornaments, feathers, jewelry hair accessories to strengthen the Gatsby feeling. If the user is naturally short-haired, also make it a clearer 1920s finger wave / bob texture. Do not appear modern everyday long curly hair or ordinary shoulder-length hair. Groom's style: black, extremely deep charcoal black, or midnight blue custom tuxedo / tuxedo, white shirt, black bow tie or formal tie, brooch detail restrained and sophisticated. The overall posture is upright, stable, and noble, with the气质 of old money and old Hollywood leading men. Lighting is the core of the entire set, please strictly refer to the example image: the main light source must be the strong backlight or side backlight from the arch window, forming visible light beams, contour light, and dramatic light and dark contrast; the fill light comes from candlelight and environmental warm light, only for local supplement; there can be a small amount of haze / smoke to make the light more layered. The overall should be cinematic high-contrast lighting, not even flat light, not ordinary mansion soft light, not strange white highlights. Some shots allow for slight可控 lens flare, but it must be reasonable, restrained, and come from real strong light, not random glare. Please strengthen the real photography texture: real skin texture, moderately softened but not plastic skin smoothing; real dress weight, gauze texture, jewelry reflection, and candlelight details; no 3D rendering feeling, no over-sharpening, no fake CG feeling, no game modeling feeling. The overall should look like a real studio and physical scene bridal photo. Please pay special attention to the natural and real facial and body proportions of the characters. Both must maintain the proportions of real adults, including head size, shoulder width, neck length, arm length, palm size, body contact, and perspective relationship, all of which should be natural and coordinated. Do not appear face too large, head too small, neck too long, body twisted, fingers wrong, limbs fused, collage feeling, or model issues. Please especially strengthen the interaction and relationship between the two people, not just standing together. There must be a clear emotional flow between the two: - Attraction - Attachment - Protection - Harmony - Dramatic romantic - A bit of a sense of promise and fate - Can be expressed through ways such as hugging from behind, gazing at each other, interacting at the table, getting close under the gauze, off-center watching, gently touching the waist or back, hands on hands - Do not stand side by side and look at the camera in every shot. Please avoid repetition in the entire set of shots: - There are full-body, half-body, close-up, and extreme close-up - There are single people and couples - There are front, half-side, side, and off-center - There are quiet gazing, close-up pauses, interaction, story scenes - Do not make every shot look like a template variant. Negative constraints: Do not have a common mansion bridal style, do not have modern influencer bridal photos, do not have even flat light, do not have modern shoulder-length curly hair, do not have ordinary princess dresses, do not have cheap photography studio feeling, do not have plastic skin, do not have characters like AI synthesized collage, do not have strange glare, do not have cluttered background. 8 Shot Prompts 01｜Gauze Opening, Full-body Main Visual Take a full-body main visual bridal photo shoot of the bride. The bride stands between a tall arch and window, with strong window light behind her, forming a sacred and dramatic backlight. A large amount of transparent light gauze sweeps over the foreground and sides, as if gently lifted by the wind, wrapping the bride in a semi-transparent light and shadow layer. The bride is wearing a shimmering gold fine beadwork custom slimming wedding dress, the skirt is long, the train and veil naturally fall, one hand raised to gently touch the veil, and the other hand naturally lowered. Key: The bride must be an explicit 1920s Gatsby bride style. Even if the user originally has long hair, it should be made into a retro short hair silhouette through faux bob / finger waves / pinned bob, and paired with jewelry forehead ornaments, dangling earrings, and pearl necklaces. Emotion: elegance, calmness, confidence, like a leading lady coming out of an old-time ball. The eyes look slightly away from the camera or slightly over the lens, not a common sweet smile. Lighting: strong backlight, light smoke, veil transparency, clear light and dark layers, the overall has a strong cinematic feel. 02｜Groom Hugging from Behind, Front Bride, Relationship Main Image Take a half-body to 3/4-body bridal photo shoot of a couple. The bride stands in front, and the groom embraces her from behind, his hands naturally resting on her waist or near her arms. The bride's hands are gently placed on her chest or on the groom's hands. The bride looks at the camera, her eyes calm, expensive, and confident, like the center of this story; the groom looks down at the bride, his expression gentle, focused, and protective. Key: The two must have interactive tension, not just standing together. The groom's presence should be like protecting and surrounding her, and the bride's state is cherished and gazed upon. The body contact should be natural, and the proportions should be real. Styling and lighting: The bride is still an explicit Gatsby headpiece and retro hairstyle, the dress beadwork details are clear; the groom is in a black custom tuxedo. The warm backlight from the arch window enters from behind, with a small beam of reasonable lens flare on the right. Candlelight and environmental warm light do local supplement. The overall is more like a movie still, not a common photography studio portrait. 03｜Side-by-side Gaze, Stop at the Most Tense Moment Take a side-by-side facing bridal photo. The bride and groom stand face to face, very close, stopping at the moment of about to get closer, but not actually kissing. The bride's side face is delicate, and the shoulder and back lines are clear, the groom looks down at her, his eyes calm and focused. There is a strong but controlled attraction between the two, like stopping for a second before the vow. Key: Do not smile, do not stand side by side. The key is the tension in the quiet gaze. The eyes of the two must have communication, not empty, not stiff. Lighting: The background is darker, there is a cool contour backlight or blue gray smoke feeling behind the arch, the outline of the characters is outlined, and the foreground furniture or candlestick can slightly enter the frame. The overall is more cinematic, low saturation, and high contrast. 04｜Bride Sitting at the Table, Single Main Image Take a single sitting bridal photo of the bride. The bride sits at the edge of a retro dark long table, with a tall arch window behind her. The table has candlesticks, thick books, glassware, a few jewelry accessories, and light gauze. The bride is wearing a shimmering gold beadwork slimming wedding dress, the exaggerated organdy sleeves pile up around her arms, the skirt line is long. She sits slightly to the side, one hand naturally supporting the table, and the other hand gently placed on her knee or holding a retro ornament, her head slightly raised, her eyes calm, expensive, and slightly oppressive. Key: The bride still needs to be a 1920s retro hairstyle, do not have modern long hair. The whole picture should be like a high-budget bridal magazine hero shot. Lighting: The arch window backlight + candlelight warm fill light + local smoke. The picture should have dark areas, not large flat light. The table scene and dress texture should be very delicate. 05｜Front Bride, Back Groom Watching, Off-center Narrative Take a double off-center composition bridal photo shoot. The bride sits or leans against the table, the main focus of the picture. She slightly tilts her head or looks away, her mood is quiet and thoughtful, like entering a moment of emotional pause before the wedding. The groom stands near the arch window behind him, slightly blurred or weakened, but still clearly recognizable, like a silent, affectionate presence. The two do not look directly at each other, but have a clear spatial relationship and emotional connection. Key: Do not make it a common double portrait. This picture should have a dramatic feeling, the bride is the visual center, and the groom is like a silent, affectionate presence. The foreground and background layers must be clear. Lighting: The main light falls on the bride, the window light outlines the groom's silhouette. The candlesticks, books, gauze, and table details should be rich but not cluttered. The overall is quiet, reserved, and cinematic. 06｜Bride Close-up Jewelry Focus Take a close-up movie focus of the bride. The lens focuses on the bride's half-side face, neck, vintage forehead ornaments, earrings, and delicate vintage accessories in her hands, such as metal decorations, jewelry face masks, classical small ornaments. The bride slightly turns her head, a half-side face or a glance angle, her eyes calm and deep, her lip makeup complete, her makeup mature and noble. The candlelight in the background is blurred into soft warm light spots. Key: This must emphasize the Gatsby style details very strongly. Headpieces, finger waves / faux bob, pearl necklaces, earrings must be clear and credible. The face cannot be too AI-like, and the skin cannot be plastic. It should look like a high-budget close-up shot taken in real life, not a CG detail image. Lighting: Warm candlelight forms local highlights from the side and behind, the face has soft but directional light, shallow depth of field, the overall is very cinematic. 07｜Table Interaction, Ritual Feeling of Wedding Night Take a double scene interaction bridal photo. The bride stands or leans against one side of the retro long table, looking down to arrange papers, feather pens, jewelry, or small wedding items on the table; the groom stands opposite or next to the table, gently participating in this interaction, such as handing her a small item, lighting a candle for her, or quietly watching her. The two are in the same scene, with a very natural interaction, not a standard standing group photo. Key: This picture should have the atmosphere of "the night before the wedding ceremony." The interaction between the two must be natural, like a caught moment in a movie. The bride is still the visual focus, and the groom exists as a companion and protector. Lighting: The window light is the main, the candlelight is the local atmosphere light, the table and prop details are clear. The overall has a classical ritual feeling and narrative sense. 08｜Veil Underneath Intimate Closing Image Take a double closing bridal photo. The bride and groom stand next to the table or in front of the arch window, the long veil or light gauze hangs down from their heads, wrapping them in the same semi-transparent space. The groom gently supports the bride's waist or back with one hand, and the bride places one hand on the groom's chest. The two's foreheads are close together, or the groom gently leans towards the bride's forehead, stopping at the most emotional tension moment, not actually kissing. The bride looks at the groom or lowers her eyes, and the groom looks at her or closes his eyes gently, the overall is extremely intimate but controlled. Key: This is not a "kissing photo," but a "pause before the vow." There must be a strong interaction and relationship between the two. The foreground of the veil, candlelight, and table details should serve this emotion. Lighting: The overall is darker, the window backlight and candlelight shape the form together, the veil is semi-transparent and shiny in the light, the picture is sacred, noble, and dramatic, like the ending shot of the whole set.
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