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A hyper-realistic wide-angle selfie photograph with playful hand-drawn doodle overlays. The subject is a fictional young Pakistani man, mid-twenties, short neat black hair, light stubble, black aviator sunglasses, mouth wide open in a joyful laugh, making a peace sign with his free hand. He wears a crisp white shalwar kameez with a dark embroidered waistcoat and a thin gold chain, and holds the phone at arm's length so his forearm and a silver watch appear huge in the lower right foreground. Next to him a decorated brown-and-white bull with a colorful truck-art style garland of red, green and gold tassels pokes its face into the frame with its tongue out, and a white goat wearing oversized round yellow sunglasses laughs on the left, both animals looking directly into the lens. A hen sits in the foreground and a goat mid-jump flies through the top-left of the frame for comic chaos. Setting: a lively outdoor cattle market on Eid morning, a generic mosque with golden domes and two slender minarets in the background under a bright blue sky with soft clouds, blurred crowd holding phones, colorful string flags. Shot at 14mm ultra-wide with strong perspective distortion, sharp on his face and the animals' faces, background softly blurred, warm midday sun with gentle fill, natural skin texture, vivid but realistic colors. White and yellow handwritten marker doodles are drawn over the sky: stars, arrows, hearts and sparkles, plus the script headline "Eid Mubarak" at the top and a small sticker reading "LOL" near the bull. No other text. Vertical 9:16 composition.
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