译文
21:9 ultra-wide horizontal travel project main visual KV, strictly follow the overall visual style, composition, line drawing expression, landscape layout, and artistic texture of the reference image for creation, only replacing the regional elements with Yangzhou characteristic elements. The whole is a giant Eastern garden scroll-style main visual, with the background using a large area of vertical gradient: the top is bright and full of cherry blossom pink and rose pink, gradually transitioning to soft light pink and light blue in the middle, and transitioning to clear but distinct mint green at the bottom. The pink and mint green blend naturally, with a gradient that is obvious but delicate, not too gray and white, not low saturation to white, and the overall color should be bright, fresh, and visually striking, while maintaining a sense of sophistication. All landscapes in the image must be uniformly expressed using "monochrome deep line drawings," absolutely not filling in colors for landscapes, no colored illustrations, no blocks, no realistic coloring. The line drawing color changes naturally with the background area: the pink background area uses deeper rose pink, carmine pink, and deep cherry blossom pink line drawings; the middle uses deep pink purple and gray blue line drawings; the mint green background area uses deeper mint green, green blue, and deep green blue line drawings. The line drawings and background belong to the same color family but are clearly 2-3 levels deeper than the background, forming a clear, rich, and layered visual effect. Strictly refer to the original image's Eastern garden line drawing expression method, using very delicate, dense, and continuous traditional Chinese garden fine brush line drawings, with fine but clear lines and rich detail changes. Increase the overall line drawing density, so that the left and right sides, upper edge, and distant view areas have richer garden line drawings, not just a few scattered trees and buildings. Landscapes naturally overlap, interweave, and obstruct each other, forming rich scroll-style spatial layers, but not chaotic. The left side focuses on integrating the Yangzhou Slender West Lake and garden elements: willow trees, Five-Pagoda Bridge, classical pavilions, curved bridges, riverbanks, Taihu stones, bamboo branches, classical garden buildings, white walls and black tiles, flying eaves, flower windows, corridors, etc., all presented layer by layer with dense line drawings. The right side integrates the elements of Yangzhou gardens and ancient cities: classical pavilions, curved corridors, white walls and black tiles, lattice windows, flower windows, bamboo forests, pine trees, Taihu stones, ancient bridges, riverbanks, a few spring branches, and can subtly integrate the representative image of the Twenty-Four Bridges. The line drawings of trees and plants should be more rich, with branches, tree crowns, willow branches, and bamboo leaves all carved with dense lines to form the lush but light Eastern garden plant effect seen in the reference image. You can add some small branches and leaves, distant tree groups, rocks, water ripples, and architectural details to make the entire image line drawing more full. The water surface is expressed using extremely fine line drawings of the same color family, which can add dense water ripples, reflections, and distant riverbank lines, but not large areas of solid color. Buildings are also all expressed in line drawings, without filling in white or color, only through the density of lines to express distance and layers. The composition strictly adopts the "left and right landscape expansion + central large area of blank" form of the reference image. The left and right sides are relatively full, and some trees and building line drawings naturally extend into the image at the upper edge, while the middle area remains open, forming a complete visual breathing space. Do not let any large landscapes, bridges, trees, or buildings occupy the central core area. The central blank area is used for later adding the theme text of the travel project. The overall line drawing should be clearer, richer, and fuller than the reference image, but still maintain a light and delicate feel. Do not make traditional ink wash paintings, do not blur, do not fade through transparency, do not grayish line drawings. There should be a refined texture similar to high-end commercial art installations, Eastern garden art scrolls, and fashion brand main visuals. The overall image keywords: high-end Eastern garden scroll, Yangzhou spring, Slender West Lake, Five-Pagoda Bridge, Twenty-Four Bridges, Yangzhou gardens, white walls and black tiles, willow trees, bamboo forests, Taihu stones, curved corridors, ancient bridges, dense fine brush line drawings, same color family deep line drawings, pink to mint green gradient, bright and fresh, sophisticated fashion, rich line drawings, full but not chaotic, central blank, horizontal scroll composition. Prohibited: Prohibited from coloring landscapes, prohibited from coloring buildings, prohibited from coloring plants, prohibited from ink wash, prohibited from 3D, prohibited from realistic photography, prohibited from cartoon, prohibited from flat vector, prohibited from modern architecture, prohibited from people, prohibited from text, prohibited from Logo, prohibited from Chinese fashion patterns, prohibited from auspicious clouds and dragons and phoenixes, prohibited from excessive gold, prohibited from filling the center with elements, prohibited from overly light line drawings.
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