译文
[Theme]: As stone interval / ice interval / forest interval / soil interval
[English Title]: As STONE INTERVAL
[Left Large Material]:
[Right Large Material]:
[Central Crack Atmosphere]:
[Bottom Micro Life Elements]:
[Main Color Scheme]:
[Supporting Text]:
[Aspect Ratio]: 9:16
Create an Eastern naturalism Editorial Design poster, using the 'Interval Composition' approach.
The left and right sides of the image are each occupied by two large natural material entities that enter the frame and are cut off by the edges. The two main subjects push towards the center, forming a narrow vertical negative space that runs from top to bottom in the middle. The central crack is the true visual focus of the poster.
The crack should not be completely straight, but can have a slow and natural S-shaped opening and closing relationship: slightly wider at the top, narrower in the middle, and opening up again at the bottom. The inside should maintain brightness, cleanliness, and a sense of air, without filling in complex scenery. The left and right large materials use [Left Large Material] and [Right Large Material], focusing on the realistic large-scale structure, continuous textures, and natural surface textures. Do not let the small textures overwhelm the overall composition.
Always follow: First see the large form, then see the material details.
The two main subjects can have a slight difference, such as one side being deeper, heavier, and rougher, and the other side being lighter, more translucent, or softer, avoiding complete mirroring. Add a proportionally extremely small [Bottom Micro Life Element] at the bottom of the central crack, such as a new sprout, fern leaf, moss, seed, or thin grass. The life element occupies only a very small area of the painting, creating a clear proportionate contrast between "large-scale natural entities" and "micro life," giving the painting a narrative sense.
Use large English Serif Typography: [English Title] spans across the left and right materials and the central crack.
The text changes naturally between light and dark colors according to the background: warm beige text in dark material areas, and deep gray text in bright crack areas. Allow the edges of the materials to slightly obscure some letters, forming a clear two-dimensional editing hierarchy, but maintaining overall readability. Add a smaller vertical Chinese title [Theme] inside the central crack. The Chinese characters use a fine, restrained, modern Song or cultural publishing font with an Eastern skeleton, without using large brush calligraphy.
Add a minimal amount of supporting text [Supporting Text], using small fonts scattered around the material edges or blank areas, without forming a common information box, and without adding meaningless English. The overall color scheme uses [Main Color Scheme], maintaining low saturation, nature, matte, and restraint. The image should have the quality of an advanced art exhibition poster, an independent publication, natural material research, and Editorial Design.
Overall visual formula: Left and right large entities
* Central vertical negative space
* Bottom micro life
* Layered large Typography
* Large area of low information
The final effect must make the viewer see "the bright crack between the two large bodies" first when viewing a thumbnail, and then discover the material textures, life details, and small text when looking closely.
Avoid: Common landscape photography, travel posters, central subjects filling the frame, complex backgrounds, full-screen textures, dense cracks, large amounts of plants, bright colors, strong HDR, CGI materials, 3D Typography, meaningless English, and excessive decoration.
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