译文
Please create an independent, high-end design poster for each photo you upload, without combining multiple images. Each photo should be output separately. The overall composition should be in a 3:4 vertical format, with the top and bottom sections each having an equal height, occupying 50% of the image.
The top section retains the original photo, maintaining the subject's identity, structure, posture, real texture, natural lighting, and original color atmosphere. Only a slight advanced color grading is allowed to give it the texture of an art magazine, an independent publication, and exhibition images. To fit the frame, the environmental background can be naturally expanded, but the subject must not be stretched, distorted, or altered.
The bottom section first understands the core theme, subject relationship, structural trend, emotion, and visual metaphor that the original photo is most memorable, and then reconstructs it as a pastel crayon doodle illustration with a vintage paper texture. Do not copy the photo item by item, nor completely redraw all the content. Only retain the silhouette, posture, direction, and visual memory points that best represent the original object, through deletion, generalization, slight exaggeration, and recombination, so that one can immediately feel the corresponding relationship with the photo above.
The subject uses a coarse-grained chalk/crayon-style hand-drawn outline: the lines are slightly thick, relaxed, dry, with powder particles, intermittent color loss, slight tremors, and edges that are not completely closed. The tip of the pen is naturally rounded. The interior of the subject only adds a very small amount of pastel color blocks, simple grids, stripes, dots, or freehand涂抹, using the least amount of information to suggest the structure, without making solid volumes and complete details.
The surrounding small elements use the same line language as the subject, but are further compressed into a doodle symbol that can be recognized with one or a few strokes. Stars, flowers, plants, objects, environmental clues, or abstract symbols should be simple, naive, open, and not completely closed, mainly in single-line contours, with very little coloring. Do not draw them as delicate icons, stickers, or independent small illustrations.
The composition maintains the relationship between small-scale stamp impressions and large areas of blank space, arranging the position according to the subject's own direction, proportion, and visual center of gravity. It can be off-center, edge-adjacent, suspended, or partially cropped. The subject and a few doodle symbols form a loose but clear visual group, while the rest of the space is actively left blank. The blank space itself is a major compositional element, forming a sense of breath, distance, and pause through the contrast of empty and full, gathered and scattered, and size differences; it is better to have less rather than fill it up.
The background must use a very light, bright, and clean paper color, such as cream white, ivory white, light beige, pale apricot white, very light gray white, or a near-white paper color that matches the original image's color temperature. The paper should only retain very slight fibers and particles, not brown, yellow, gray, or look old. The brightness of the background must be significantly higher than that of the subject's lines and color blocks, ensuring that all crayon outlines, small symbols, and text are clearly visible and not blended with the background.
The color scheme extracts 2-4 of the most vibrant, most affable, and most representative colors of the image spirit from the photo above and rematches them into bright and soft pastel crayon colors. It can naturally form light colors such as peach pink, apricot orange, cream yellow, mint green, sky blue, pale purple; the subject lines should use a clearer color than the background, such as coral pink, soft blue, green, warm orange, pale purple, or cream deep tones, and the small elements should only occasionally repeat these colors to form a response. Overall, maintain the contrast relationship of light background + clear color lines + a small amount of soft color blocks, bright, healing, relaxed, and with a sense of life. Avoid dark brown kraft paper, dark brown background, low contrast lines, the background and subject blending together, fine outlines, realistic redrawings, complex small icons, filling the background, smooth vectors, 3D effects, and commercial template feelings.
A small amount of text is introduced, without language restrictions. It can freely extract short sentences or text fragments from the subject, action, emotion, memory, or metaphor, using a thin, open, slightly unevenly spaced, and old-style mechanical printing font. The color should be clear but not dazzling, such as gray brown, soft black, dark blue gray, or a dark color that matches the subject, ensuring sufficient readability on the light-colored paper. The text naturally falls in the blank area, forming a mixed text and image layout with the subject and the doodle, without a fixed title template.
The overall presentation is an advanced healing visual composed of extremely light paper surface, coarse-grained crayon outlines, a small amount of pastel coloring, minimalist doodle symbols, small-scale subjects, and a large amount of artistic blank space. The focus is to let the subject and small elements clearly float on the light-colored paper surface, while maintaining a relaxed, innocent, gentle, and mature editing composition consciousness. Avoid dark brown kraft paper, dark brown background, low contrast lines, the background and subject blending together, fine outlines, realistic redrawings, complex small icons, filling the background, smooth vectors, 3D effects, and commercial template feelings.
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