译文
Please create an independent, high-end design poster for each photo you upload, without combining multiple images. Each photo should be output separately. The overall composition should be in a 3:4 vertical format, with the top and bottom sections each having an equal height, occupying 50% of the image.
The top section retains the original photo, maintaining the subject's identity, structure, posture, realistic texture, natural lighting, and original color atmosphere. Only a slight advanced color grading is allowed to give it the texture of an art magazine, an independent publication, and exhibition images. To fit the frame, the environmental background can be naturally expanded, but the subject must not be stretched, distorted, or altered.
The bottom section extracts the most identifiable subject, outline, structure, posture, and narrative relationship from the photo and reconstructs it into a blocky, modular geometric deconstruction illustration. Do not copy the photo completely or depict it realistically; instead, remove irrelevant details and retain only the visual memory points that best represent the original object's identity and temperament. Reconstruct the image by geometric generalization, shape overlap, and collage-style recombination, so that it can be easily recognized as corresponding to the photo above.
The overall design emphasizes the sense of blockiness, modularity, geometric segmentation, and complete large areas. The geometric segmentation should not be too fragmented; avoid cutting into a large number of scattered small pieces, but rather organize the subject with fewer, larger, and more complete rectangles, squares, rounded rectangles, ellipses, triangles, and irregular shapes. Characters can be depicted with square faces, clear jawlines, and blocky facial features; buildings can be transformed into blocky volumes, facade divisions, window rhythm, and structural transitions; animals, plants, objects, and landscapes should also be refined into geometric forms with blocky order and modular relationships. Moderate exaggeration and deformation are allowed, but the overall design must be mature, controlled, and simple, avoiding trivialization, juvenility, and excessive disarray.
The overall design uses flat color blocks + collage-like composition + modernist geometric language. The color blocks are like paper cutouts that are reassembled to form a clear but orderly collage feel; complex backgrounds are actively deleted, and only a few necessary shapes or auxiliary blocks are retained, not forming a second visual center.
The composition maintains a relationship of small-scale subject / large-area blank space, arranging the position according to the subject's own direction, proportion, visual center, and structural trend. It can be off-center, edge-adjacent, or locally cropped, but always maintain clear hierarchy, density rhythm, and editorial balance. The overall image emphasizes positive and negative shapes, block weight, blank space breathing, and layout order, making the lower part both artistic and high-end publication-like.
The material presents a mild paper grain and a slight printmaking feel: retain a delicate paper texture, soft noise, and slight print quality on top of the geometric color blocks, making the image closer to paper collage or art print works. Avoid smooth vector, 3D rendering, photo filters, and excessive retouching.
The color scheme extracts 2-4 most identifiable, most appealing, and most representative colors from the photo above and reorganizes them into a more sophisticated color system. The overall color can be moderately brightened, purified, and desaturated, transforming into cream white, apricot, peach pink, coral orange, mist blue, gray green, sage green, warm brown, soft purple, and other lighter, modern, and durable color relationships. The main color is bright but not dazzling, the auxiliary color is gentle and layered, and the overall temperament is clean, warm, stylish, and approachable, avoiding earthy yellow, dirty gray, dark brown, neon colors, cheap candy-like feelings, and chaotic color schemes.
Minimal text intervention is allowed, without language restrictions. Brief titles, small annotations, numbering, or explanatory fragments can be freely extracted according to the subject's identity, location, mood, temperament, or symbolic meaning. The text should be small, light, and controlled, naturally falling into the blank space area or the edges of the layout, forming a refined graphic-text relationship with the graphics, without commercial title stacking.
The overall presentation is a visual effect composed of complete large-area geometric deconstruction, controlled collage, soft high-end color matching, paper grain, large-area blank space, and editorial layout. Whether the subject is a person, building, animal, plant, object, or natural landscape, it should maintain a clear identity, modular geometric order, and a unified artistic language. Avoid realistic depiction, overly fragmented cutting, juvenile collage, complex perspective, dense details, cartoon-like feelings, 3D effects, template-like poster feelings, and cheap cultural and creative feelings.
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