译文
[Theme]: [Theme]
[Main Color Palette]: [Main Color Palette]
[Landscapes]: [Landscapes]
[Miniature Narratives]: [Miniature Narratives]
[Chinese Inscription]: [Chinese Inscription]
[Aspect Ratio]: 9:16
Create a high-fidelity Chinese minimalist art exhibition poster that blends Eastern landscape negative space, modern Editorial Design, abstract color field painting, and paper art.
Use clean warm ivory white art paper as the background, with an irregular [Main Color Palette] occupying approximately 40%-55% of the image to establish the mood. The color blocks have a delicate texture of mineral pigments, watercolor, screen printing, and paper penetration, with natural edges, slight water stains, and variations in light and dark, but remain clean without dirty textures.
Add a very thin ink black [Landscapes] between the color field and the negative space, which can include distant outlines of coastlines, ridges, forests, embankments, and buildings. Include very small [Miniature Narratives] to create a sense of scale contrast and storytelling through "large color field × micro landscape × small figures/small buildings."
Use a tall and thin Song typeface or modern Ming typeface for the Chinese main title, with vertical layout preferred; pair it with small English Serif, date, FIELD NOTES, and other micro editing information, and add [Chinese Inscription], a few handwritten notes, and a very small vermilion red seal.
Maintain "large structure simplicity, micro details richness": from a distance, it appears minimalist, but up close, there are layers. Redesign the color field trends, landscape structures, and narrative content for different themes, not just by changing colors and titles.
Avoid: shoddy blank spaces, rough flat painting, template color changes, large black mountains, travel illustrations, excessive ancient style, dirty and worn textures, random cracks, AI random codes, UI, Logo, watermarks, numbering, corner starbursts, and Sparkle.
桃子AI画廊Tao Image Gallery
