译文
Please create an independent, high-end design poster for each photo you upload, without combining multiple images. Each photo should be output separately.
The overall composition should be in a 3:4 vertical format. The image should be strictly divided into four horizontal sections from top to bottom, with each section's height precisely occupying 25% of the overall image. The four layers should have a strict ratio of 1:1:1:1, and there should be no proportion deviation. The sections should be seamlessly connected without any separation lines or gaps. The "no gaps" here refers only to the absence of gaps between layers; within each layer, negative space, paper background, or solid color background can still be retained according to the corresponding style.
All four layers should be based on the same uploaded photo, presenting the same subject, moment, and spatial relationship. Strictly maintain the subject's identity, quantity, key structure, proportion, posture, action direction, gaze, observation perspective, perspective, occlusion, left-right position, front-back relationship, and core narrative. The four layers are not four unrelated new compositions but a continuous translation of the same scene in different styles. Since each layer is approximately a 3:1 extremely narrow horizontal banner, the subject should be organized horizontally and retain an appropriate amount of breathing space on both sides. Backgrounds can be naturally extended horizontally or slightly cropped, but the subject should not be stretched vertically, key parts should not be cut off, the relationship between characters should not be changed, or unrelated scenes should not be created.
The visual center of gravity, subject proportion, and contour landing points of the four layers should be as aligned as possible vertically, forming a coherent evolution from real photography to the target style. Each layer must completely fill its 25% area. Do not add layer numbers, separation lines, borders, collage gaps, watermarks, or logos. Unless a layer's style description explicitly requires a small amount of edited text, ticket markings, or handwritten annotations, do not generate additional text; even if text is needed, it must be minimal, restrained, not obstructing the subject, and try to avoid garbled text.
First Layer | Original Photography
Directly retain the true photographic state of the uploaded photo as the visual benchmark for the translation of the styles in the following three layers. Maintain the original identity, quantity, facial features, hairstyle, clothing, structure, proportion, posture, action, gaze, interaction relationship, observation perspective, perspective, occlusion, environmental direction, natural light and shadow, and core color of the characters or subjects, without illustration, materialization, geometricization, or 3D reconstruction.
To fit the extremely narrow horizontal banner of about 3:1, only the left and right sides of the background can be naturally extended according to the logic of the original scene, or slightly cropped without damaging the subject; the proportion of the subject should not be changed, characters or buildings should not be stretched, heads, hands, feet, key objects, or important narrative relationships should not be cut off. The image should remain natural, real, and clear, avoiding excessive skin smoothing, exaggerated color adjustment, fictional scenery, and decorations unrelated to the original image.
Second Layer | Retro Modernism Flat Illustration
In this layer's approximately 3:1 narrow horizontal banner area, translate the real subject from the first layer into a "retro modernism flat illustration" style. Maintain the subject identity, quantity, key structure, posture, left-right position, perspective, spatial relationship, and core narrative consistent with the first layer, and then fully implement the following visual requirements:
Extract the most identifiable subject, contour, posture, and narrative relationship from the photo and reconstruct them into a retro modernism flat illustration. Do not mechanically copy details but generalize the subject into clear silhouettes, geometric color blocks, hard-edged surfaces, and simple curves, retaining the most critical proportions, contours, actions, and structural features so that the subject can be easily recognized from the original image. The composition emphasizes visual center of gravity, scale contrast, front-back levels, positive-negative shapes, and geometric rhythm, and can moderately amplify, cut, offset, or overlay the subject, using a small number of auxiliary figures to establish space without creating complex realistic scenes.
The color palette extracts the most distinguishable and spirited colors from the uploaded original image and reorganizes them into a 3-5 color retro limited color palette. Through the main color, dark structural color, light background, and a small amount of contrasting color, a clear hierarchy is established. Colors can be moderately refined and artistically translated to present a warm, bright, and restrained old print and modern flat design temperament, avoiding gray dirt, neon, mixed colors, complex gradients, and cheap cartoon feelings.
The text establishes a modernist editing layout system, with language preference following the user's language preference and the current input language, not fixedly using English. Extract a short main title from the subject's identity, action, emotion, place, material, or metaphor, and pair it with 2-4 groups of extremely small auxiliary texts, which can use short sentences, location or object information, number, serial number, status word, directional word, classification tag, or mini description, without using years. If necessary, a small amount of another language can be mixed as an editorial highlight, but the main information should always be in the user's preferred language. The text can form relationships with geometric shapes such as alignment, cutting, interweaving, surrounding, cornering, vertical arrangement, or crossing color blocks, through font size contrast, thick and thin font weight, spacing, and strict grid to establish visual order, making the layout itself part of the illustration composition.
The overall presents the visual temperament of original image × retro flat illustration × high-end editing design, simple, clear, geometric, fashionable, restrained, and rich in graphic tension, with both the visual strength of classic posters and the sense of contemporary design system. Avoid realistic illustration, complex textures, 3D rendering, user interface feeling, commercial material feeling, and template vector illustration.
Third Layer | Inkjet Dry Brush Fashion Editing
In this layer's approximately 3:1 narrow horizontal banner area, translate the real subject from the first layer into a "inkjet dry brush fashion editing" style. Maintain the subject identity, quantity, key structure, posture, left-right position, perspective, spatial relationship, and core narrative consistent with the first layer, and then fully implement the following visual requirements:
Extract the most identifiable subject, contour, posture, and narrative relationship from the photo and reconstruct them into a flat illustration and collage scene with a modern magazine cover style and high-end editing design temperament. Do not mechanically copy the details of the photo but extract the most core visual theme from the original image, transform the subject into a more generalized, brighter, and more brand-sensitive graphic system; through repetition, layering, magnification, cutting, collage, and texture changes, establish a thematic visual scene centered around the subject, so that people can immediately feel that it belongs to the same object, emotion, and narrative as the uploaded original image.
The composition emphasizes clear levels, scale contrast, and layout rhythm. According to the subject characteristics, convert the outline, local shape, environmental element, or structural relationship in the original image into large-area repeated graphics, forming a progressive relationship of background layer, middle subject layer, and highlight layer; the main visual can be freely off-centered, interlaced, or overlaid, but must maintain a clear focus and strong readability. A small-scale, high-contrast highlight element can be added to enhance drama and storytelling, but it should not weaken the subject itself.
The color palette extracts the most vital, distinguishable, and emotionally infectious colors from the uploaded original image and converts them into a more concise, brighter high-quality flat color group. The overall can use a high-saturation but not cheap comprehensive color system, through the main color, auxiliary color, dark pressing, and light highlighting to establish levels; it is allowed to form rich changes between comprehensive color blocks, and retain grain, grid, fabric, inkjet, offset, dry brush, and printing texture, making the image have fresh, rich, fashionable, and natural vitality. Avoid realistic photography feeling, gray dirty color, smooth three-dimensional, and ordinary commercial illustration feeling.
The text should participate in the composition like a real magazine cover layout system, not just add a title. Extract a striking English main title from the theme, temperament, action, season sense, material sense, or symbolic meaning of the photo, and pair it with a more emotionally sensitive or narrative Chinese title; a small amount of explanatory short sentences, number, issue number, location, time, or tag information can be added. The text can be horizontally interlaced, vertically stacked, locally obscured, overlaid on the subject, crossing color blocks, or embedded in white space, and together with the graphics, form a cover feeling; the overall layout should be bold, modern, clear, and have brand visual and high-end editing design temperament.
The overall presents a visual effect of modern fashion, fresh and rich, flat collage, rich in layers, strong in layout, obvious in printing texture, and full of vitality. Whether the subject is a person, animal, plant, building, object, vehicle, natural landscape, or abstract scene, it should maintain good adaptability and transferability, avoiding template forest illustration, ordinary travel poster, e-commerce layout, cartoon feeling, and cheap decorative feeling.
Fourth Layer | Minimalist Screen Printing Dot Pattern
In this layer's approximately 3:1 narrow horizontal banner area, translate the real subject from the first layer into a "minimalist screen printing dot pattern" style. Maintain the subject identity, quantity, key structure, posture, left-right position, perspective, spatial relationship, and core narrative consistent with the first layer, and then fully implement the following visual requirements:
Extract the most identifiable subject, contour, posture, and narrative relationship from the photo and organize complex information into a unique visual anchor point, reconstructing it into a minimalist screen print and dot pattern poster. If the original image contains multiple people or multiple subjects, the complete relationship should be retained as the same visual anchor point and the subject quantity should not be reduced. Do not copy the photo or add rich illustration details, but only retain the most critical overall shape, action, and spatial relationship, allowing the subject to still be easily recognized with minimal information.
The composition follows the principle of "one subject, one direction, one spatial relationship." The subject usually maintains a small scale, using large-area blank space to create a sense of distance and poetry; according to the original relationship, only one most natural structure is chosen, and horizontal extension, isolated suspension, outward dispersion, or shallow to deep extension is given priority; only when the original image itself has an explicit vertical dynamic, a limited vertical extension is retained, and multiple composition techniques are not used at the same time. A horizon line, boundary, shadow, or dot pattern can be used to establish space, making the blank itself become the main part of the image.
The color palette does not directly copy the photo but extracts a comprehensive color temperature, brightness, and emotional tone from the original image and re-summarizes it into a limited special color system of paper color + main ink color + mist layer color. Milky white, warm gray, or natural paper color undertakes large-area blank space, a calm and heavy comprehensive color is used as the main ink color, and a lighter, grayer color in the same color system is used to represent air, distance, or layers. The overall is controlled within 2-3 colors, with color area, brightness, and dot density establishing levels, and only a small area of dot color is allowed to have explicit narrative meaning.
All mist, distance, shadow, dispersion, and spatial transition are used to naturally disappear from dense to sparse halftone dots, without using digital blurring or ordinary gradient. Retain paper grain, screen ink, slight offset deviation, and uneven ink application, making the image look like a true art print printed on old paper.
A small amount of decorative text system with a sense of high-end editing is retained. Not limited to place names but generated from the theme, emotion, time, action, material, distance, or metaphor of the photo, a short English title, and a mini subtitle, number, year, chapter number, coordinate-style number, archive mark, or an implicit English sentence can be generated. The copy can be slightly abstract, literary, and curatorial in tone, and does not need a complete explanation of the image, such as concepts about "distance, stillness, passing, echo, boundary, time, light, trace," etc., making it like editorial notes in art books, architectural journals, or independent exhibitions.
The text itself must participate in the composition, not just be pasted on a blank space. The small text can be aligned along the horizon line, fit the subject contour, become a vertical visual axis, cross the dot pattern boundary, hide in the negative shape, or have an occlusion, interweaving, break, or alignment relationship with the subject; it can also be established with a rhythm through extremely thin vertical lines, short horizontal lines, numbers, page number symbols, and large-area blank space. It is allowed for a word to be split, vertically arranged, spaced out, or partially obscured by the graphics, but the reading order must always be maintained.
The text level is kept restrained: a short main title + 1-3 groups of extremely small auxiliary texts are enough. The font refers to high-end art publications and modernist editing design, using restrained sans-serif, mild serif, or minimalist narrow-body fonts, and through extreme font size contrast, wide spacing, thin font weight, subscripts, superscripts, small uppercase letters, and asymmetric layout, creating a sense of delicacy. The text color is unified with the main ink color or mist layer color, and can have slight offset misalignment and ink grain, making the text and graphics belong to the same printing, not a digital overlay layer.
The overall pursuit of minimal elements, maximum blank space, minimal subject, strong order, and subtle and clever text intervention, presenting a quiet, lonely, vast, implicit, poetic, knowledgeable, and collectible feeling. Avoid complex composition, multiple focal points, meaningless decoration, large titles pressing the image, commercial advertising copy, ordinary gradient, cheap retro filters, and template feeling.
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