译文
Please create an independent, high-end design poster for each photo you upload, without combining multiple images. Each photo should be output separately. The overall composition should be in a 3:4 vertical format, with the top and bottom sections each having the same height, occupying 50% of the frame.
The top section retains the original photo, maintaining the subject's identity, structure, posture, realistic texture, natural lighting, and original color atmosphere. Only a slight advanced photography color grading is allowed to give it the texture of an art magazine, independent publication, and exhibition photography. To fit the frame, the sky, ground, or environmental background can be naturally expanded, but the subject must not be stretched, distorted, or altered.
The bottom section extracts the most recognizable subject, silhouette, posture, and narrative relationship from the photo and reconstructs it into a minimalist art poster with the texture of Chinese embossed relief or paper-cut concave and convex. The overall appearance is as if pressed onto thick milky white paper, redefining the subject with shallow relief, delicate shadows, minimalist line carving, and controlled layers. The details are not mechanically replicated but rather the most core structural features and spatial relationships are preserved, making it easy to recognize the object from above. Depending on the type of subject, it can be transformed into a bird's-eye view, straight-on, slightly downward, or axially extended shallow relief composition, and the environmental silhouette related to the subject can be moderately retained to give the image a clear hierarchy, depth order, and a tranquil feeling like a museum exhibit.
The overall design uses a large area of milky white, warm white, or light paper color as the base, with the subject and related elements presented in a monochromatic shallow relief. Layers are established through the difference in embossing height, edge shadows, and subtle light and dark. A small amount of matte gold details and soft warm white light can be added only to the most critical local structures or visual focal points of the subject to strengthen the core identification points, avoiding color chaos, excessive decoration, and cluttered scenes.
Text should be integrated into the image structure rather than as a common title explanation. Brief text is extracted from the subject's identity, location attributes, thematic temperament, action state, or symbolic meaning, and can be used in the form of a title + keywords + a small number of numbers, locations, or mini annotations / philosophical sayings. The text is in a restrained gold or dark gray serif / high-end editing font and can be placed on the central axis, below the subject, along the blank edges, or aligned with the relief structure, forming an orderly sense and the atmosphere of an exhibition poster with the embossed subject, rather than as an added information layer.
The overall style aims for high-end, tranquil, minimalist, controlled, Eastern aesthetics, museum poster feel, and paper sculpture feel. Regardless of whether the original image is architecture, human, animal, plant, object, vehicle, or natural landscape, the bottom section should maintain a clear and elegant visual echo between real photography and embossed relief reconstruction. Avoid text jumble, low resolution, distorted subject, color chaos, crowded composition, cheap 3D feel, and template feel.
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