译文
【Exhibition Theme】：[Exhibition Theme]
【Chinese Main Title】：[Chinese Main Title]
【English Title】：[English Title]
【Sub Title】：[Sub Title]
【Art Carrier】：[Art Carrier]
【Main Visual Content】：[Main Visual Content]
【Theme Sentence】：[Theme Sentence]
【Time】：[Time]
【Location】：[Location]
【Main Color Tone】：[Main Color Tone]
【Image Ratio】：9:16
Design a high-end oriental cultural relics exhibition poster that combines ancient art carriers with modern editing and layout.
Use warm beige, yellowed old paper, or xuan paper texture as the background, retaining natural paper fiber, slight granularity, scanned archive feel, and real printing wear. The overall look is restrained, tranquil, and has a sense of historical depth, resembling the main visual of a mature museum or art institution.
Add a super-large light-colored serif English title at the top, with some text allowed to extend beyond the edge of the image, serving as a background-level visual structure; on the left, use a large Chinese main title, which can be vertically or horizontally arranged, paired with a smaller exhibition sub-title. At the bottom, the time, location, and a theme sentence are arranged centrally, and a small cinnabar seal is added.
On the other side of the image, set a large [Art Carrier] as the main visual, occupying about 40%-55% of the image. Do not simply display it completely, but reconstruct it through methods such as partial cropping, fragments, broken edges, shape windows, scrolls, wall painting flaking, glaze cracks, and silk fabric aging.
Present the [Main Visual Content] within the [Art Carrier], retaining real age traces, material textures, faded pigments, and historical usage, making the subject appear as a real cultural relic after preservation, restoration, or archaeology, entering a museum.
Overall, use a non-symmetric editing composition, maintaining a clear visual hierarchy:
Super-large English → Artifacts / Ancient Painting Subject → Chinese Title → Exhibition Information.
The color is centered around the [Main Color Tone], with the overall saturation low, and a small amount of ink black, mud gold, ochre, and cinnabar red can be added for structure and embellishment.
The final effect should resemble a museum exhibition poster, cultural publication, and the visual system of an oriental art institution, rather than a common Chinese style poster.
桃子AI画廊Tao Image Gallery
