提示词
{
"style": "cobalt-xerox-script-editorial-poster",
"aspect_ratio": "4:5",
"style_rules": [
"artwork fills the page nearly edge to edge with only a thin black keyline — no mat, no mockup, no calm margins; density ~90%",
"palette locked to electric cobalt #1F57F2, paper white #F4F4EE, carbon black #0A0A0A — flat spot inks with toner grain, no hue variation",
"the all-caps headline is forcibly split into two monumental grotesk blocks: opening words crowd the top band, the rest reappears below the photo — never one tidy title",
"one headline word is rewritten twice as an enormous hairline cursive outline, wider than the page, cropped, crossing behind and in front of headline and photo",
"one wide b&w photo panel: extreme ambiguous macro crop, aggressive xerox + coarse newspaper halftone, crushed blacks, chalk-white highlights",
"one irregular mostly-black cutout object intrudes across the lower headline and the gap between microcopy columns — flat, shadowless",
"two dense narrow columns of tiny white mono editorial text sit hard against the bottom, 8-12 short lines each",
"all layers stay flat and print-based: deliberate collisions, cropped letters, no depth, no bevel, no drop shadow",
"mood: unresolved, cerebral, abrasive, poetic — experimental photocopied poster, not clean infographic"
],
"MAIN_TEXT": "STATIC HOLDS A SIGNAL",
"SCRIPT_WORD": "STATIC",
"SUBJECT": "an extreme macro crop of a thumb pad, the serrated edge of a radio tuning wheel, and a black headphone cable — no face, no full device visible",
"CUTOUT_OBJECT": "a tangled radio coil and torn frequency-scale fragment rendered as one mostly black xerox silhouette",
"MICROCOPY": "Noise is not empty. A patient receiver finds rhythm, distance, and intention inside the interrupted band. The hand returns to the dial because uncertainty is structured."
}译文
{
"style": "cobalt-xerox-script-editorial-poster",
"aspect_ratio": "4:5",
"style_rules": [
"艺术作品几乎填满页面，边缘仅有一细黑键线——无边框，无模拟，无平静的边距；密度 ~90%",
"调色板锁定为电钴蓝 #1F57F2，纸张白色 #F4F4EE，碳黑 #0A0A0A——平涂油墨与粉粒，无色调变化",
"全大写标题被强行分为两个宏伟的哥特式方块：开头的词语占据顶部带，其余在照片下方重新出现——永远不是一个整洁的标题",
"一个标题词被重写两次作为巨大的细线草书轮廓，比页面还宽，裁剪后，穿过标题和照片前后",
"一个宽的黑白照片面板：极端模糊的宏观裁剪，侵略性的复印+粗糙的新闻报纸半色调，压碎的黑色，白垩色高光",
"一个不规则的主要为黑色的剪切块横跨下方的标题和微拷贝列之间的空隙——平坦，无阴影",
"两个密集的窄列的小白单色编辑文本紧贴底部，每列8-12行短句",
"所有图层保持平坦和基于印刷：故意的碰撞，裁剪的字母，无深度，无斜面，无阴影",
"氛围：未解决的，智力的，粗糙的，诗意的——实验性的复印海报，不是干净的信息图表"
],
"MAIN_TEXT": "静态持有信号",
"SCRIPT_WORD": "静态",
"SUBJECT": "一个极端宏观裁剪的拇指垫，收音机调谐轮的锯齿边缘，以及一条黑色耳机线——无面部，无全设备可见",
"CUTOUT_OBJECT": "一个纠缠的收音机线圈和撕裂的频率刻度碎片被渲染为一个主要为黑色的复印轮廓",
"MICROCOPY": "噪音并非空无。一个耐心的接收器在被打断的波段中找到节奏、距离和意图。手回到旋钮上，因为不确定性是有结构的。"
}
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