提示词
Create a raw kung fu performance storyboard focused on extreme physical action. Use reference image for the character.
16:9 storyboard sheet, 12 cinematic panels. The actual storyboard drawings must be black and white only: rough pencil lines, minimal detail, fast gesture drawing energy, simple anatomy construction and strong silhouette readability. Keep the artwork lightweight, dynamic and unfinished like early fight choreography previs.
Start directly in action. Do not begin with a calm stance, preparation shot or slow introduction.
A solitary female performer executes an aggressive Tibetan kung fu master-style routine inside a vast ancient temple. The choreography is exaggerated, explosive and constantly escalating: flying diagonal kicks, monk-style low stances, rapid palm strikes, spinning cloth-like body turns, animal-form hand shapes, deep lunges, aerial twists, floor-level sweeps, sudden drops, claw-like blocks, back-arched jumps, sliding recoveries and violent sculptural impact poses.
Every panel must contain visible motion and strong body momentum. Avoid static standing poses. The performer should feel like a ritual warrior moving with discipline, fury, spiritual pressure and total body control.
Action progression:
1. begin mid-air with a flying diagonal kick already in motion
2. handheld close-up palm sweep cutting through air
3. orbiting wide shot of a full-body spin
4. low-angle impact palm strike with shockwave
5. long-lens side profile spinning kick
6. top-down aerial turn with body, hair and fabric flaring outward
7. hard floor stomp cracking the temple stone
8. sliding low sweep across the floor
9. aggressive close-up flurry of elbows, palms and backfist strikes
10. extreme low monk-style beast stance with energy rising
11. spinning elemental vortex around the body
12. final airborne action pose, suspended above the temple floor, body twisted in a powerful kung fu strike, all elements converging around her before impact
Add selective elemental energy effects as VFX-style storyboard accents. The effects should feel spiritual, ritualistic and cinematic, not superhero-like:
air bursts around spins and flying kicks,
dust and stone fragments lifting from stomps,
water-like floor ripples during slides,
fire-like trails around explosive strikes,
heat distortion around high-intensity movement,
elemental vortex near the climax.
Element progression:
early panels: subtle wind, dust and pressure lines
middle panels: stronger stone fragments, floor ripples and air shockwaves
late panels: controlled fire trails and energy spirals
final panel: the strongest combined elemental surge while the performer is still airborne
Use cinematic arthouse action camerawork:
handheld energy,
whip-pan feeling,
orbiting camera moves,
overhead shots,
side silhouettes,
aggressive close-ups,
long-lens compression,
extreme low angles,
wide negative space,
strong parallax.
Keep the temple environment minimal and atmospheric:
towering stone columns,
worn temple floor,
drifting incense smoke,
hanging fabric,
harsh light shafts,
faint dust in the air,
subtle wet floor reflections.
Do not overcrowd the frames.
Annotation color system:
red arrows = body movement
blue arrows = camera movement
green marks = framing / composition notes
orange marks = lighting direction
yellow marks = elemental VFX / energy effects
black text = short lens notes and panel labels
No timestamps. No dialogue. No singing. No extra characters. No enemies. No logos. No watermark.
桃子AI画廊Tao Image Gallery