提示词
2x2 grid, do this for 4 famous scientists experiencing their most famous day in this style: Style = {
<minimal_paper_relief_diorama>
ESSENCE: A subject rebuilt as a handcrafted layered-paper relief, set in a
near-empty warm-white gallery frame — smooth matte planes against finely
combed paper fiber, a few earthy Mediterranean accents, and soft shadows
that betray every cut edge.
MEDIUM: Layered paper-cut relief / quilled illustration / miniature diorama,
photographed flat-on as a gallery piece. SHALLOW relief, never full 3D volume.
MATERIALS: Heavy ivory cardstock, textured matte paper, thin stacked cuts,
rolled quilling strips, folded tabs, hand-painted paper edges.
CORE MOVE — translate textures into paper, don't render them realistically:
smooth surfaces (walls, faces, bodies, sky, water) → clean matte planes, gently curved
fur / hair / feathers → dense parallel combed strips or fine incised grooves, following growth direction
foliage / canopy → granular quilled dots, torn-paper flecks, layered fringe
fabric / drapery → fanned vertical paper pleats
smoke / cloud / flow → curled, rolled quilling spirals
fine detail (eyes, windows, hardware) → the smallest crisp cut-paper inlays — the ONLY sharp marks in the piece
Keep the subject's silhouette, pose, and identity intact; only the material logic changes.
TWO MODES (the reference uses both):
(a) PORTRAIT — a single subject, centered or low on an empty white field, no environment.
(b) DIORAMA — the subject inside a sparse miniature scene built from the World Kit below.
Both obey the same texture, color, light, and emptiness rules.
FORM: Elegant simplified profiles stacked as shallow planes — thin, precise,
visibly paper-made, with clean cut edges and soft curvature. No bulky toy volume.
Readable across a room; rewarding up close.
COLOR: ~90% warm white / ivory / cream. Accents used sparingly, ONLY as earthy
Mediterranean notes — terracotta & brick-orange, dusty teal, sage & olive,
ochre / mustard, muted red, warm brown. No neon, no heavy saturation, almost
no black (shadow carries the contrast).
LIGHT: Soft, diffuse, near-frontal studio light. Short, soft-edged drop shadows
in the gaps BETWEEN layers — those shadows are the proof of construction.
No drama, no rim light, no hard cast shadows.
COMPOSITION: Aggressive negative space — leave 40–60% of the frame as quiet
white paper, usually open above. Anchor the scene low on a single soft rolling
cut-paper horizon. Place every element with restraint; let it breathe.
WORLD KIT (for diorama mode): cubic whitewashed Mediterranean buildings,
terracotta tile roofs, arched doors and shuttered windows, Italian umbrella
pines and round shrub-balls on slim brown trunks, tiny walking figures (often
one in red), a small dog, a stray rooftop tree or cat, an occasional bright
umbrella or awning. Tiny scale, gentle human-scale narrative.
FINISH: Matte, tactile, serene, refined — a quiet gallery photograph of a
delicate, collectible paper installation. Poetic and faintly magical.
AVOID: photorealism; clay / plastic / vinyl / metal / glass / plush logic;
glossy surfaces; dark or cinematic lighting; hard outlines or comic linework;
cluttered maximalism; thick chunky proportions; neon or high-saturation color;
realistic grime, pores, or weathering; filling the white space.
</minimal_paper_relief_diorama>
}
桃子AI画廊Tao Image Gallery