提示词
Goal: Create a two-panel anime redraw comparison of {argument name="character name" default="Raul Creed"} from Ergo Proxy, showing the same office scene twice: the top panel in cool blue color and the bottom panel in monochrome grayscale.
Canvas: Vertical image, approximately 3:4 aspect ratio, with a thick black horizontal divider separating exactly 2 stacked panels. Add narrow dark margins on the left and right edges.
Layout: The image contains exactly 2 panels: 1) top panel, full-color blue cyberpunk version; 2) bottom panel, identical composition in black-and-white grayscale. In both panels, place the character in profile on the left half of the frame, seated in a reclining office chair facing right, with a large floor-to-ceiling window on the right overlooking a glowing futuristic city at night.
Subject details: The character is an adult man with medium-length dark brown hair swept back, wearing a dark formal suit, white shirt, long trousers, and polished black dress shoes. He sits relaxed but serious, leaning back in the chair with one leg crossed over the other, hands resting near the chair arms. His face is intentionally obscured by a soft rectangular blur, preserving the head silhouette but hiding facial features.
Environment: A dim executive office or command-room interior with teal-blue ambient lighting in the top panel. Include a high-backed ergonomic chair with a pale headrest, dark armrests, a visible pedestal base, and a small dark desk or cabinet at the far left. Behind the chair, add a small coat-rack-like fixture with four short horizontal pegs. The right side has tall vertical wall panels, a bright diagonal shaft of light on the wall, and a large window showing a dense futuristic cityscape filled with tiny white and cyan lights. Add dark industrial ceiling or window pipes on the upper right: exactly 2 vertical pipes connected by exactly 3 horizontal rungs, plus one long horizontal pipe running across the window area.
Visual style: Mature 2000s psychological sci-fi anime style, clean cel-shaded linework, moody noir atmosphere, cinematic composition, subdued shadows, crisp outlines, subtle film grain, high contrast between the dark office and luminous city. Top panel palette: deep teal, cyan, navy, black, and cool white. Bottom panel: identical drawing converted to grayscale, with the city lights still bright.
Constraints: Preserve the exact two-panel stacked comparison format, do not add captions or logos, do not add extra characters, keep the blurred face in both panels, and keep both panels aligned so they appear like a color version above a grayscale version of the same frame.
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